Culture and Heritage

Penang's culture and heritage © Adrian Cheah

Although the British were described as latecomers in a line of Western Colonialists in Malaysia's history, they arguably left the most enduring legacy, particularly in the form of legislation and the development of George Town into a modern city. Even a short gallop through the history of Penang will not be complete without mention of the arrival of the British in 1786, and the subsequent introduction of British rule in the day-to-day administration and governance of Penang.

Penang's culture and heritage © Adrian Cheah

Penang's culture and heritage © Adrian Cheah

One could conjecture that had there been no British authority in Penang, the shape and destiny of heritage conservation could have turned out to be entirely different. Shorn of British influence, the built heritage and living culture of the ethnic enclaves could very well come to the fore. Be that as it may, historical landmarks in Penang bear the inspiration of various influences. Many still stand to this day, although in the preface to the 2nd edition of Streets of George Town, the author lamented that "many heritage buildings have fallen."

Penang's culture and heritage © Adrian Cheah

George Town, the capital of the state of Penang, has one of the largest collections of 19th, and early 20th century buildings in Southeast Asia. It is a living historic city, with inner-city communities, places of worship, guilds, wet markets and bazaars, traditional trades and retail shops, trishaw peddlers and hawkers. Since 1948, George Town's heritage buildings had been protected under a Rent Control Act. A 1994 census showed that Penang had 12,453 rent control premises with 8,259 located in the heart of George Town. With the repeal of Rent Control at the dawning of the new millennium, tenants who have lived in the inner city for the last 50 years face potential dislocation. A whole historic environment, community and way of life may disappear forever. Penang's living heritage city is now facing a critical period following the repeal. The Penang State Government is doing all it can to ensure that George Town's heritage city and living culture will survive this transition. Getting George Town recognised as a World Heritage City will go a long way towards this goal.

Penang's culture and heritage © Adrian Cheah

Daily, hundreds of tourists both local and foreign, visit this vast preservation of treasures in George Town, in which may be seen and enjoyed the story of Penang's man-made heritage. As the starting point of Penang's multicultural community, the inner city of George Town has many houses of worship, guilds, mosques, temples, clan houses, district associations, sanghams and lodges which are Penang's 'open museums' of migration and cultural history. The many heritage tour guides are only too happy to reveal to the visitor the beauty and wonder, and the inspiration and spiritual meaning that lie behind each building, each community and each culture including the scrumptious food and vibrant festival they offer.

Penang's culture and heritage © Adrian Cheah

Penang's culture and heritage © Adrian Cheah

A nimble amble through the historical sights in George Town: the first four streets mapped out by city fathers in George Town, namely Beach Street, Light Street, Pitt Street (now Jalan Mesjid Kapitan Keling) and Chulia Street are still very much relevant and bustle with traffic every day. Just around the corner from Beach Street lies the Colonial Quarter, where Fort Cornwallis, Esplanade, City Hall, Court-house, St. George's Church, Convent Light Street, Cheong Fatt Tze Mansion, the Protestant Cemetery, and other historical buildings are situated.

Penang's culture and heritage © Adrian Cheah

Penang's culture and heritage © Adrian Cheah

A short distance away are what is described as the historic port settlements or 'ethnic enclaves' – the Little India commercial orb, Kapitan Keling mosque, Goddess of Mercy Temple, Mahamariamman Temple, Armenian Street, Acheen Street, Khoo Kongsi, King Street, Weld Quay and others.

Penang's culture and heritage © Adrian Cheah


Timothy Tye's journey: preserving Penang Hokkien through an online dictionary

Penang Hokkien dictionary

I am filled with immense pride to witness the presence of unsung heroes in Penang, individuals driven by a shared belief in uplifting their community. Among them stands Timothy Tye, a beacon of inspiration. Since its inception on 5 January 2003, his Penang Travel Tips website has provided invaluable information on Penang (now extended to cover Malaysia as well as Singapore). Timothy is not only a prominent foodie and YouTuber but is also a passionate advocate for the preservation of Penang Hokkien.

Continue Reading

Bedak sejuk, a trusted beauty secret of our grandmothers

bedak sejuk © Adrian Cheah

At dusk, when women with white sceptre-like masks ventured out of their homes to purchase a snack or visit neighbours, children would gawk while adults would shrug their shoulders in indifference.

Continue Reading

The elegant Nyonya kebaya – wearable art that knows no seasons

kebaya © Adrian Cheah

"When in Rome, do as the Romans do." This oft-quoted adage champions the virtues of adaptation. Whether or not the early Chinese immigrants to Malay Archipelago were familiar with this nugget of wisdom, their actions mirrored its essence. These enterprising settlers, who journeyed to these lands in search of opportunity, not only carved out new lives but also intertwined their heritage with local traditions. Some married Malays and embraced elements of their customs while steadfastly preserving their Chinese beliefs and philosophies. From this union arose the Chinese Peranakan community – also known as Babas and Nyonyas – a vibrant cultural fusion renowned for its distinctive charm and ingenuity.

Continue Reading

Book review: Once Upon A Kamcheng

Lillian Tong and Jewel Tan

Once Upon A Kamcheng

Preface

This book is an anthology of Penang Straits Chinese Baba Nyonya memoirs, biographies, and collected stories. The compilation was inspired by life growing up in a Baba Nyonya home and the stories told to me by my mother, Tan Chooi Bee, and my friends. Beyond the nostalgia of resplendent gold and gilded lattice screens and gracious living are behind the scenes expose bothering on the ridiculous to the tragic, where antics, escapes, indulgences and misadventure reign.

Lillian Tong

Continue Reading

The upside-down tree – Penang's very own Baobab

Penang's Baobab tree © Adrian Cheah

According to African legend, the Baobab wanted to become the most beautiful tree of all. When it realised that this was not possible, it put its head into the ground, so only the roots pointed heavenward. Another legend holds that when the Baobab was planted by God, it kept walking, so God pulled it up and replanted it upside down to stop it from moving.

Continue Reading

A traditional signboard maker in Penang

traditional signboard maker © Adrian Cheah

In this day and age of colourful and animated LED video billboards, digital displays for advertisements and other fancy forms of signage, one does wonder if there is a place, still, for the traditional, hand-carved signboard – the sort of signboard that is found in some Chinese homes and business establishments.

Continue Reading

My Kebaya shirt – a journey where novelty meets sublime beauty

Kebaya shirt © Adrian Cheah

Having grown up in a Chinese Peranakan household, I have always been intrigued by the beauty of the kebaya. It is not just about how the entire ensemble – when matched with a traditional floral sarong is wearable art, one that gives a veritable statement on the opulent cultural heritage of the Nyonyas.

Continue Reading

Nyonya kasut manek (beaded shoes) – timeless objects of beauty

Nyonya beaded shoes © Adrian Cheah

English influence

The British presence in the three Straits Settlement states had a profound influence on Peranakan culture. Suddenly, the hitherto unknown suits and skirts became à la mode for men and women respectively.

Western techniques also influenced the art and craft of fashioning Peranakan footwear. The style of embroidery, for example, once influenced by the Malays was in turn influenced by Western culture. The fine beadwork for shoes with which the Nyonya is identified is a comparatively recent invention from 19th century Britain and Continental Europe.

Continue Reading

The floral bath (mandi bunga) ritual

floral bath © Adrian Cheah

The Russian musician Igor Stravinsky might have composed Le Sacre du Printemps (The Rites of Spring) as an exploration of nature and the rituals of renewal and sacrifice, but one could safely conjecture that the ritual and ceremony of the Malaysian floral bath was created for more personal (and less lofty) reasons. The two may be worlds apart, but both Stravinsky and the local bomoh share one thing – invoking the power and the mystery of nature and the elements in their work.

Continue Reading

People of the Five Rivers

Sikhs in Penang © Adrian Cheah

As one ascends the steps of George Town's magnificent Chinese clan temple of the Khoo Kongsi, it is difficult not to notice a pair of huge images meticulously carved out of granite as if welcoming visitors in.

The two tall, life-sized figures of Sikh guards (above) stand imposingly on the ornate pavilion of the century-old complex, widely considered to be the grandest clan temple in the country.

Continue Reading

Sembang-sembang with Tan Choon Hoe, author of Loghat Hokkien Pulau Pinang 

Tan Choon Hoe

Malaysians are truly fortunate, as they have gained a reputation for their remarkable linguistic versatility. Let us consider my late father as an example, who was of Chinese descent and possessed a remarkable fluency in various languages and dialects. He could effortlessly converse in English, Bahasa Malaysia, Tamil, Hindustani, Mandarin, Cantonese and of course, Hokkien.

Continue Reading

16 September 1963 – A Nation is Born

The Straits Times, 16 September 1963.

On the historic midnight of 16 September 1963, a profound and unforgettable chapter in our nation's story began. The birth of Malaysia was more than just a political achievement; it was the realisation of the hopes, dreams, and determination of millions across the land. From the joyful streets of Penang and the colourful festivities in Sabah and Sarawak, to the symbolic ceremonies in Singapore, we stood united in the spirit of brotherhood, ready to embrace a shared destiny.

In the words of our beloved Bapa Malaysia, Tengku Abdul Rahman Al-Haj, "we have come together through our own free will and desire in the true spirit of brotherhood and love of freedom." Let us take a step back in time and read about this historic moment published in The Straits Times on Monday, 16 September 1963.

Continue Reading

“Jiwa Merdeka” – embracing freedom with a unified spirit

Merdeka Day © Adrian Cheah

Malaysia's Independence Day, observed on the 31 August, is far more than a mere historical commemoration; it embodies the very soul of a nation. Known as Merdeka Day, this significant occasion marks not only the moment the country gained its freedom but also the genesis of a nation that, despite its rich diversity, strides forward as one unified people.

Continue Reading

The story behind the universal stripes of the Buddhist flag

Buddhist flag © Adrian Cheah

The Buddhist flag is a common sight in Buddhist communities today, often seen hanging from temple ceilings or columns indoors, or flying high from flagpoles.

Continue Reading

"Looking After the Ashes" – unravelling the enigmatic Chinese Peranakan world of taboos and traditions

Looking After the Ashes

I usually stay away from horror stories, especially those that have blood and gore plastered all over the cover. I know that one should never judge a book by its cover. However having been an art director for more than three decades, I feel that a cover has to set the right tone and sell the book. The cover of "Looking After the Ashes" by Kopi Soh shows two wide-eyed kids, enchanted by the storyteller, enveloped with an eerie atmosphere. Picking up the book, I would not have been able to anticipate that it would be a page-turner for me.

Continue Reading

"Inspirations from the Southeast – Penang, Malaysia" is a compelling documentary that deeply touches the heart

Inspirations from the Southeast – Penang, Malaysia

On 23 July 2003, I attended the documentary screening of "Inspirations from the Southeast – Penang, Malaysia" at GSC Cinema in Gurney Drive. This was the last of three screenings, part of George Town Festival and admission was free!

Continue Reading

Bansan – a fresh take on board games and its relevance today

Bansan board game © Adrian Cheah

Board games have a long and fascinating history, dating back thousands of years to ancient civilisations such as Mesopotamia and Egypt. According to the British Museum (britishmuseum.org), the Royal Game of Ur is the oldest playable board game in the world, originating around 4,600 years ago in ancient Mesopotamia. Although they were once reserved for the elite, over time, board games evolved and spread across different cultures, becoming more accessible and popular among people from all walks of life.

Continue Reading

Negaraku, a national anthem for the rakyat

Negaraku

Negaraku
Tanah tumpahnya darahku
Rakyat hidup, bersatu dan maju
Rahmat bahgia, Tuhan kurniakan
Raja kita selamat bertakhta
Rahmat bahgia, Tuhan kurniakan
Raja kita selamat bertakhta

Continue Reading

The exotic, aesthetic fading tattoo of henna

henna © Adrian Cheah

The art of temporarily staining the skin with henna can create stunning, intricate designs that hold cultural significance. In Penang, this tradition is embraced by the Indian, Sikh and Malay communities, where it represents a rich, intangible cultural heritage, evoking cherished memories of festive celebrations and weddings. Visitors to Penang also join in the tradition, often adorning their hands with henna as part of the festivities. With henna artists readily available year-round in Little India, anyone can enjoy these beautiful designs, even for casual occasions.

Continue Reading

The Sari: Queen of garments

sari © Adrian Cheah

The amazingly versatile sari (or saree) transcends mere fabric – it embodies the rich heritage of traditional South Asia women (and a few men) in countries such as India, Pakistan, Bangladesh, Sri Lanka and Nepal. It is also a garment that covers all, yet is revealing, enchanting yet unassuming, serene yet sensuous. The sari, with its six yards or more of artistry, is a masterpiece of contradictions, seamlessly transitioning from workwear to leisure attire to a symbol of opulence, all within its elegant drapes.

Continue Reading

  • 1
  • 2