Penang has always fascinated me with its blend of old and new: a historic trading port, a UNESCO World Heritage city, a thriving centre of commerce and industry, and a home to many cultures, traditions and flavours that have come together over generations. However, Penang is more than its landmarks and famous dishes. Its soul can be found in the people I meet, the stories I hear and the memories shared along the way. This is my journey through Penang and beyond.
Being more than half a century old, I have learned to watch with my own eyes and note down the "gloriousness" that is everywhere around me. As an artist and a photographer, this singular duty of being aware has helped me capture photographs that forge the narrative in my projects and creative endeavours.
Emperor Villa, a family-run business offering accommodation and dining first opened its doors to the public in September 2019. It took two years to complete the construction of its rustic villas complete with a spacious swimming pool, nestled among nine acres of greenery in the hills of Sungai Ara, Penang.
Choosing a restaurant for Mother’s Day was a decision I approached with care. The luncheon would bring together three generations of my family, from my 92-year-old Mum to my 23-year-old daughter. I wanted a place where everyone would feel comfortable, and where the meal itself would be worthy of the occasion.
Ban chien kuih, a popular street snack in Penang is easily available throughout the state. In Hokkien, ban chien kuih 慢煎粿 (or ban cien koay, ban chean kueh, ban chang kuih or ban jian kway) literally means "slow-fried cake".
Born into a Chinese Peranakan family, I often find my culinary cravings leaning towards other cuisines – whether it is Chinese, Thai, Italian, Japanese, Vietnamese, Continental, Mexican, Indian or Malay – when dining out, unless I am hosting guests from abroad who crave for Nyonya cuisine. Sometimes when time allows, I will gladly roll up my sleeves and prepare a Nyonya feast to ensure that they depart Penang with a lasting impression of the vibrant and unique flavours that define Nyonya cuisine.
During my month-long holiday in London in 1996, I made a point of seeking out its theatres, drawn by spellbinding musicals like The Phantom of the Opera, Blood Brothers, Oliver!, Miss Saigon and more. What captivated me, time and again, was the convergence of creative energy, brilliant collaboration, and the art of storytelling brought to life through music, lights, and heart. The moment the curtain rises, something shifts. Live performance, in its immediacy, propels you almost instantaneously into another realm.
Stories related to goats cut across cultures and geography, conjuring up myths and beliefs that have flowed through millennia right up to this present day. I find these vivid and dramatic tales utterly captivating.
English influence
The British presence in the three Straits Settlement states had a profound influence on Peranakan culture. Suddenly, the hitherto unknown suits and skirts became à la mode for men and women respectively.
Western techniques also influenced the art and craft of fashioning Peranakan footwear. The style of embroidery, for example, once influenced by the Malays was in turn influenced by Western culture. The fine beadwork for shoes with which the Nyonya is identified is a comparatively recent invention from 19th century Britain and Continental Europe.
By Mark Thompson and Karl Steinberg with photographs by Adrian Cheah
Walk between two of George Town’s most famous landmarks with this illustrated guide. Discover the story of the Chinese in nineteenth-century Penang and explore some of the community’s fascinating characters, customs, architecture and events.
For as long as it has existed, George Town in Penang has attracted travellers and settlers from across the globe and is a true confluence of cultures. Today, this UNESCO World Heritage Site continues to enchant visitors with its traditional charm and its well-preserved historical townscape.
“You should wash your hands using water poured over the inside chambers of a hollowed durian skin. It will remove the strong odour from your fingers", urged Mr Teh, my neighbour who accompanied me on a durian feast at one of the many durian orchards in Balik Pulau. That morning, we had a satisfying breakfast like no other, amidst the natural surroundings of the orchard, shaded by towering durian trees.
On 27 February 2026, I stood in the High Court in Penang, watching my old friend step forward to don a new robe. That Friday morning, the courtroom was formal and composed, yet it was clear that this moment marked the culmination of many years of hard work. The man standing there, Somaasundram s/o Sinnathamby, was more than just another petitioner being admitted to the Bar. He was Soma, the boy I have known since Standard One at La Salle.
Set within the elaborately decorated oceanic-themed dining hall at Anovia Banquet Art Centre, an intimate birthday celebration was held in honour of Dato’ Lillian Tong, a respected custodian of Penang’s Chinese Peranakan heritage and a woman deeply devoted to preserving its traditions. Family and friends gathered across two tables, brought together by good food and even better company.