The Hungry Ghosts Roam The Streets Of George Town

Every year, as the seventh lunar month approaches, the streets of George Town take on an otherworldly character. For a time, the city seems to belong not only to the living, but also to the "hungry ghosts" said to descend from the underworld in search of food, offerings and perhaps a little earthly attention. Known locally as Phor Thor, the Hungry Ghost Festival is far more than a single day of ritual or remembrance. Its observances unfold throughout the seventh lunar month, weaving their way through the communities of Penang and across Malaysia, and into neighbouring Singapore and Phuket, where Chinese traditions have likewise taken root. It is a season when the veil between this world and the next seems, if only for a while, remarkably thin.
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Of lanterns and mooncakes

"The Chinese people have never demanded a clear separation of the worlds of myth and reality – indeed, they are so closely bound up that it is hard to say where one begins and the other ends." – An Introduction to Oriental Mythology, Clio Whittaker et al
"The moon, along with fine wine and beautiful women, is a favourite topic for the Chinese poets." – Chinese proverb
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Memories of Auntie Jo's delightful jelly mooncakes

The story of the mooncake stretches far back into the mists of antiquity. As early as the Shang Dynasty (c. 1600–1046 BC) and the Zhou Dynasty (1046–256 BC), their predecessor, the taishi cake, was already present. Over centuries, mooncakes evolved into a symbolic offering for the Mid-Autumn Festival, a tradition that continues to this very day. Though the classic baked mooncake has endured for thousands of years, the art of mooncake-making has never stood still. It has adapted, innovated and reimagined itself in step with the times.
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Negaraku, a national anthem for the rakyat

Negaraku
Tanah tumpahnya darahku
Rakyat hidup, bersatu dan maju
Rahmat bahgia, Tuhan kurniakan
Raja kita selamat bertakhta
Rahmat bahgia, Tuhan kurniakan
Raja kita selamat bertakhta
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Malaysians – unique and united

"The melting pot or mixing bowl images do not provide an adequate picture of Penang. The kaleidoscope, with its shifting patterns of colourful pieces, overlapping sometimes to make new shapes, some larger in one frame and smaller in others, offers a better metaphor for Penang's multi-ethnic population and its changes over time." – Sarnia Hayes Hoyt Old Penang 1991
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Our bold and beautiful red Bunga Raya

Let us take a moment to reflect on the name of Malaysia’s national flower, Hibiscus rosa-sinensis. The word “hibiscus” has its roots in ancient Greece, derived from the Greek hibiskos. The name was recorded by the physician Pedanius Dioscorides (c. 40–90 AD) for a mallow plant now generally identified as marsh mallow, Althaea officinalis. Dioscorides described the plant in his celebrated "De Materia Medica", a five-volume work on medicinal plants and substances that became one of the most influential texts on herbal medicine in the ancient world.
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